Requires cat.
We used to have wanking sessions when we were young at Nigel Whalley’s house in Woolton. We’d stay overnight and we’d all sit in armchairs and we’d put all the lights out and being teenage pubescent boys we’d all wank. What we used to do, someone would say, ‘Brigitte Bardot.’ ‘Oooh!’ that would keep everyone on par, then somebody, probably John, would say, ‘Winston Churchill.’ ‘Oh no!’ and it would completely ruin everyone’s concentration.
Paul McCartney in Many Years for Now
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January 13th, 1969 (Twickenham Film Studios, London): In the middle of a personal discussion with John and Ringo about the band, its tenuous future, and their relationships with one another, Paul (in response to John’s admission of insecurity in the face of external pressures from the public and media to perform) is emphatic about his faith in them and their abilities and contends that whatever interpersonal problems they have can be resolved, for what their music is worth. (Note: I am sheepishly and frustratedly uncertain of my transcription. And yes, Yoko and Linda seem to be having a fascinating conversation about Paul and George.)

PAUL: [trying] If all of you were for sale on a shop, I’d want you as, you know, that, but I really don’t want you as that!

JOHN: Yes.

PAUL: But I want you as that! I don’t want him as that. You see, I want you to want yours. You’re [inaudible]. Ringo wanted— When I say those things, you know, I can hear myself sort of – but I don’t know what it is you want me to do! In period and in fact, I want you all for whatever you are, because I’m placing it – after all the bests, and all it bloody does, and what’s best, is that what you are is alright. Because if it isn’t, then it’s just stupid of me [inaudible], you know. Because if it’s what you are, and I would want us anywhere! So I’m placing all the money, all the fame, and everything, on what you are. So if this is what you two are, then get on with it.

Paul sometimes says “we” in interviews when he means “I”.
Mark Lewisohn, footnote in The Beatles: All These Years (Vol.1) – Tune In. (proof copy) (2013)
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July, 1964: Paul, George, and Ringo record a promotional spot for the radio music show Top Gear and fool around with Paul’s posh voice versus Paul’s “ordinary” voice.

PAUL: [posh broadcaster voice] Good evening, ladies and gentlemen, this is the BBC announcer speaking, and I’d like to tell you about a new program which will be coming on your sets, your radio sets. I’m speaking now with a very posh voice, because BBC announcers— [George and Ringo heckling in background] —BBC announcers— You’ve got to have a posh voice!

RINGO: [slurring] What’s the matter with these songs yer

PAUL: Look.

RINGO: Look, Paul. 

PAUL: What.

GEORGE: Let’s tell ‘em, proper. None of this!

PAUL: Now look, George, you’re gonna have a very posh voice if you’re on the BBC. They all do. 


RINGO: Anyway, the sixteenth— [starts speaking gibberish]

PAUL: [posh broadcaster voice] Ladies and gentlemen, we


RINGO: It’s not you, then. What about your image? [laughs]

GEORGE: They never – they can’t understand that. See, if you just say, “It’s on on Thursday night, the sixteenth, and it’s on from ten o’clock until eleven fifty-five—“

PAUL: Okay, I’ll try—

GEORGE: “—and that Brian Matthew’s on it—“

RINGO: [chiming in] Good old Brian.

GEORGE: “—and that we’re on it—that’s us, ‘cause we’re The Beatles—and also Dusty Springfield, and our good friend Carl Perkins—“

RINGO: Oh, good ol’ Carl. Remember Carl? I dig his record, you know.

GEORGE: “—and Mark Winter.” And you see, you just tell it like that, and get it, and it’s much – ‘cause they can understand it, you know. They can’t understand that!

PAUL: Just in me ordinary voice, then?

RINGO: Yeah, just in your—

PAUL: [pronounced posh voice] Ladies and gentlemen


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Unlike bands today, The Beatles always took their work very seriously

oh my god. I have never heard this before, it’s hilarious!

I still get a little excited.. a little bit nervous. But I just push it to one side and I say ‘Paul, these people are your friends, they love you, and you love them, so go and sing, do your best, and have a good show.’ And I say ‘Thank you, conscience,’ and that’s how we do it.
Paul McCartney on playing concerts (via sapphirechicken)
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